Damiano Damiani is a name held in high regard if only for one film, the most Italian movie ever made by a major U.S. studio, Amityville II: The Possession. Based on the book Aura by Carlos Fuentes, Damiani wrote the script with Ugo Liberatore.
Sergio Logan (Richard Johnson) is a womanizing cad who notices an old woman (Sarah Ferranti) following him everywhere. When he finally confronts her, she offers him a job: catalogue her vast library of erotica. That seems like the right job, but it gets better when he meets her gorgeous daughter Aura (Rosanna Schiaffino). As you can imagine, the library is filled with occult and sex magic energy. They claim the books are the works of their long-dead master, but the truth is that women can use their wiles to destroy men, especially ones who think they’re the so-called stronger sex.
Sergio is not alone. He also has another librarian, Fabrizio (Gian Maria Volonte), as competition, as well as the remains of the master of the house behind a glass case. It’s funny that this has always been amongst horror films. Sure, it’s in the genre, but it’s also just as much art as it is fright.
Along with a new video introduction by Italian film devotee Mark Thompson Ashworth, a limited edition 80-page book featuring new writing by Roberto Curti, Rob Talbot, Jerome Reuter, Rod Barnett and Kimberly Lindbergs, a fold-out double-sided poster and limited edition packaging with reversible sleeves featuring original and newly commissioned artwork by Colin Murdoch, The Witch has new commentary by author and producer Kat Ellinger, a new video essay by author and academic Miranda Corcoran and a new video interview with author and filmmaker Antonio Tentori.