Sarah (Belle Adams) may have never intended to be a witch but comes face to face with the craft when she meets a strange woman at a restaurant. In contrast, Masha has always known that she will one day become one.
In Sarah’s story, “The Boogeywoman,” our heroine is pregnant and her husband cooly informs her that all her visions of witchcraft are just the hormones talking. Oh yeah? Then who is the stalker in the woods casting spells on photos of your wife? Then, as these things happen, a Ouija board gets involved and the darkness sees out.
In “Masha,” the titular protagonist is a woman who knows that her magical powers are there and waiting for her grandmother to die and pass them on to her. Despite her inability to find the man she feels will complete her, she soon finds the power — and the madness — to do pretty much anything she wants.
Although these stories don’t seem to be connected, they are at the end, as the film hints that these women are part of a larger universe. Director Pierre Tsigaridis told Horror Obsessive that “I was really influenced by Italian cinema…Italian horror movies in the ’70s were criticized by Americans because they didn’t follow a typical structure, more visuals over story. In Europe, that was more common.”
This movie starts off with a bang, featuring a witch devouring a baby, and then doesn’t really slow down all that much from there. You can see hints of everything from Suspiria (both versions) and The Beyond to Carrie, Single White Female and Drag Me to Hell in these stories. And the fact that the villain from the first story has an impact on the second excites me for how this series — I hope it’s a series! — of films grows.
I saw Two Witches as part of Salem Horror Fest, where you can watch several shorts and features with their virtual pass now until the end of October. You can learn more about this film on the official Facebook page.
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