Midnight Lace (1960)

HOLLYWOOD GIALLO (+ ITS OTHERS), the awesome IMDB list by Schwenkstar, described this nascent giallo as “Stalker disguises his voice in a creepy manner to hide his identity, a multitude of red herrings keep you guessing, and a shock reveal.”

What it did not tell me was that Midnight Lace starts Doris Day — of all people — as American heiress Kit Preston, a young girl who is one day threatened by an unseen voice inside the fog that threatens to kill her, keeps gaslighting her and makes her think that she’s going insane.

Day vowed to never make another thriller after this movie, as she said it so emotionally drained her. She stayed true to her word. Perhaps the reason why she was so mentally destroyed by this picture was that in order to be properly inspired to be afraid, she called upon a memory of her first husband dragging her out of bed and throwing her into a wall.

Midnight Lace is pretty much like a cover version of a Hitchcock thriller. Beyond having so many of his stars — Day was in The Man Who Knew Too Much, John Williams was a cop in Dial M for Murder* and To Catch a Thief, as well as John Gavin being in Psycho, this feels like, well, Dial M as a telephone is how the killer goes after our heroine who has a husband named Tony.

That said, the ending, which finds Day trying to escape through the scaffolding of her house after the reveal of who the villain really is — well, that’s the whole reason to watch this.

*Anthony Dawson and Herbert Marshall were also Dial M and this movie.

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