The GenreBlast Film Festival is entering its sixth year of genre film goodness. A one-of-a-kind film experience created for both filmmakers and film lovers to celebrate genre filmmaking in an approachable environment, it has been described by Movie Maker Magazine as a “summer camp for filmmakers.”

Over the next few days, I’ll be reviewing several movies from this fest, based in the Alamo Drafthouse Cinema in Winchester, Virginia. This year, there are 14 feature films and 87 short films from all over the world. Weekend passes are only $65 and you can get them right here.

Gouge Away (2022): Tony the Stamper (co-writer Matthew Ritacco) uncovers a nasty secret when his mentor Stanley Pedious (Jacob Trussell) goes missing as a hazardous narcotic gas is unleashed upon the streets of the city. That’s a basic description for a movie that goes absolutely wild and eventually becomes nearly indescribable and I’m using that as a compliment.

Directed and co-written (with Ritacco) by Jeff Frumess, Gouge Away is the follow-up to Romero’s Distress and started life as another film, Wash Away. That movie also had Stanley, but in this story he was a therapist given the opportunity to get revenge against a former nemesis who ruined his life.

This movie is a real journey through whippets and stronger inhalants, as well as a neo-noir underground and yoga breathing, if that makes sense and I think it does. It’s definitely something different and works hard to create its own universe that you can’t help but sit back and watch unfold.

You can learn more at the official Facebook page.

The GenreBlast Film Festival is entering its sixth year of genre film goodness. A one-of-a-kind film experience created for both filmmakers and film lovers to celebrate genre filmmaking in an approachable environment, it has been described by Movie Maker Magazine as a “summer camp for filmmakers.”

Over the next few days, I’ll be reviewing several movies from this fest, based in the Alamo Drafthouse Cinema in Winchester, Virginia. This year, there are 14 feature films and 87 short films from all over the world. Weekend passes are only $65 and you can get them right here.

In the Shadow of God (2022): Rachel (Sara Canning) has returned home after the death of her father and discovers that there may be something supernatural under the trap door inside their home.

Directed and written by Brian Sepanzyk, In the Shadow of God transcends its 18 minute runtime and low budget to deliver a film that could easily surpass so many modern horror films. There’s a real sense of absolute dread in this, as well as the rapidly deteroriating vision of her father on the series of videotapes that she watches. He didn’t just have a heart attack; his fingers were bruised and torn from what looks like an attempt to escape something with the house. Now, everyone that comes near it is overwhelmed by visions that can only be ended with death.

I really think this could be a full-length but if this is all we get, it’s still pretty great.

The GenreBlast Film Festival is entering its sixth year of genre film goodness. A one-of-a-kind film experience created for both filmmakers and film lovers to celebrate genre filmmaking in an approachable environment, it has been described by Movie Maker Magazine as a “summer camp for filmmakers.”

Over the next few days, I’ll be reviewing several movies from this fest, based in the Alamo Drafthouse Cinema in Winchester, Virginia. This year, there are 14 feature films and 87 short films from all over the world. Weekend passes are only $65 and you can get them right here.

Lily’s Mirror (2022): I loved every single minute of this short and it definitely deserves to be a full-length movie.

Lily (Linnea Frye, who directed and wrote this with Adam Pinney) has had a major setback. While on a dinner date, a man named Bart (Matt Horgan) uses a hatchet to chop off her hand. He calls for the bill and leaves her with the check, which is covered in blood. No one cares, which is a major theme of this movie, and she has to deal with her loss with only the help of Dr. Taylor (Mary Kraft) who gives her a therapeutic mirror box that will get her past the phantom pain of losing her appendage.

However, when Lily uses the mirror box, she discovers that it allows her to transform a photo of slain news anchor Maria Estando Cortez (Viviana Chavez) and help her prove that her co-anchor Tim Davis (Jamie Moore) has been murdering female news anchors for years.

This movie exists in its own world with its own rules, a place at once brighter and darker than our own, yet one that has the same issue with the same men getting away with the same crimes. Yet the end promises that Davis will soon be on the hand of some justice. Closure is fine; crushing your enemy feels so much better.

You can learn more about the movie at the official site.

The GenreBlast Film Festival is entering its sixth year of genre film goodness. A one-of-a-kind film experience created for both filmmakers and film lovers to celebrate genre filmmaking in an approachable environment, it has been described by Movie Maker Magazine as a “summer camp for filmmakers.”

Over the next few days, I’ll be reviewing several movies from this fest, based in the Alamo Drafthouse Cinema in Winchester, Virginia. This year, there are 14 feature films and 87 short films from all over the world. Weekend passes are only $65 and you can get them right here.

The Trunk (2022): A father and daughter — Marco and Cass (Craig Monk and Ashleigh Morrison) — have found an old trunk covered with chains in the woods. They wonder what’s inside and how much money they can make from what’s inside, but perhaps when you find a chained-up chest buried in the mud you should just leave it there.

Directed and written by Travis Laidlaw, this is a film that builds to its inevitable gory and effects-filled conclusion. It’s a very simple story, yet incredibly well-told and could be the start of a much longer movie that could explore these characters more. I loved the art direction of the poster and how the credits run backward at the end, too. Definitely worth a watch.

The GenreBlast Film Festival is entering its sixth year of genre film goodness. A one-of-a-kind film experience created for both filmmakers and film lovers to celebrate genre filmmaking in an approachable environment, it has been described by Movie Maker Magazine as a “summer camp for filmmakers.”

Over the next few days, I’ll be reviewing several movies from this fest, based in the Alamo Drafthouse Cinema in Winchester, Virginia. This year, there are 14 feature films and 87 short films from all over the world. Weekend passes are only $65 and you can get them right here.

I’m Losing You (2022): An alcoholic woman (Koko Marshall) — seen as she uses her computer and through the lends of Facetime and other apps — seeks the comfort of strangers on a video chat website. She’s lost her infant daughter, her parents (Kent Moran and Pearls Daily) keep calling and she’s going to be late for her AA meeting. But she’s close to the edge and even the self-help meditations (Natasha Lyonne is the voice) aren’t keeping her together. And then she meets someone (Catharine Daddario) very familiar on the other side of the computer.

Directed by Courtney and Mark Sposato and written by Courtney, this film uses its narrative technique of remaining online, as well as the visuals it shows, to the fullest. It allows you to get to know so much of its lead and learn how she got to this point. As to whether or not she escapes, the film doesn’t give any easy answers.

You can learn more on the film’s production site.

The GenreBlast Film Festival is entering its sixth year of genre film goodness. A one-of-a-kind film experience created for both filmmakers and film lovers to celebrate genre filmmaking in an approachable environment, it has been described by Movie Maker Magazine as a “summer camp for filmmakers.”

Over the next few days, I’ll be reviewing several movies from this fest, based in the Alamo Drafthouse Cinema in Winchester, Virginia. This year, there are 14 feature films and 87 short films from all over the world. Weekend passes are only $65 and you can get them right here.

Get Out of There (2022): The Barber Brothers also made another short I’ve seen recently, Specter of Weeping Hill, and Get Out of There has the same gorgeous attention to look and detail.

After narrowly making it alive out of a fall down a hillside, Officer Jim Soul (Nathaniel Barber) can’t get back on his feet. Yet he knows that he’s not alone in the woods and only has his radio and dispatcher Maggie (Breanne Solis) for help.

This seems like part of a much larger story but it’s hard to complain when it’s so well made. I’d love to see where else the brothers go, as I’ve loved the first two shorts that I’ve seen from them.

The GenreBlast Film Festival is entering its sixth year of genre film goodness. A one-of-a-kind film experience created for both filmmakers and film lovers to celebrate genre filmmaking in an approachable environment, it has been described by Movie Maker Magazine as a “summer camp for filmmakers.”

Over the next few days, I’ll be reviewing several movies from this fest, based in the Alamo Drafthouse Cinema in Winchester, Virginia. This year, there are 14 feature films and 87 short films from all over the world. Weekend passes are only $65 and you can get them right here.

Our First Priority (2022): Directed and written by Ariel Baska, this short uses the lens of a horror movie to tell some truths about dealing with chronic illness. Hannah (Violet Gotcher) has to have a checkup and the doctor (Benjamin Frankenberg) only has so much time to spend with her — he’s reminded that he has another patient waiting more than a few times — and he can’t believe that she has such a strange list of medical issues. His only job is to check the boxes on his paperwork and move on to the next person.

But Hannah is followed by her adult self or guardian angel (Jamie Kirsten Howard) who will make this doctor pay for the way she was treated.

Baska dedicated this movie “to all the loved ones we’ve lost to medical bias” and started it while she was getting ready to receive brain surgery, referring to herself and her issues as a “medical unicorn.”

While quick and to the point, Our First Priority made me consider how every patient is treated and how when medical treatment is encouraged to add just one more minute of care to each patient exactly how short of time that is.

The GenreBlast Film Festival is entering its sixth year of genre film goodness. A one-of-a-kind film experience created for both filmmakers and film lovers to celebrate genre filmmaking in an approachable environment, it has been described by Movie Maker Magazine as a “summer camp for filmmakers.”

Over the next few days, I’ll be reviewing several movies from this fest, based in the Alamo Drafthouse Cinema in Winchester, Virginia. This year, there are 14 feature films and 87 short films from all over the world. Weekend passes are only $65 and you can get them right here.

Buzzkill (2022): Let me tell you, when you start your animated short off with a logo that says Canon Pictures and looks like Cannon Films, I’m going to love what comes next.

That said, it’s easy to love this movie, which is the story of Becky (Kelly McCormack, who is Jess McCready in the A League of Their Own Series) and Rick (Peter Ahern, also the director and writer), who return to her house after a date and their moment of romance is interrupted by an insect crawling out of her eyeball.

The animation is gorgeous, the story is amusing and I just loved the way that it all pays off. Buzzkill gets in more gross-out and laugh-out-loud moments in its short running time than most movies get in two hours.

The GenreBlast Film Festival is entering its sixth year of genre film goodness. A one-of-a-kind film experience created for both filmmakers and film lovers to celebrate genre filmmaking in an approachable environment, it has been described by Movie Maker Magazine as a “summer camp for filmmakers.”

Over the next few days, I’ll be reviewing several movies from this fest, based in the Alamo Drafthouse Cinema in Winchester, Virginia. This year, there are 14 feature films and 87 short films from all over the world. Weekend passes are only $65 and you can get them right here.

Sucker (2022): Two sisters — Sam (Sophia Capasso, East Enders) and Caitlin (Annie Knox) — end up battling one another as a leech creature begins to influence and control them both from within. Is it a metaphor for how real world events cast a wedge between families or just an opportunity to have horrifying creatures and no small amount of muck, bile and whatever fluids can be spit and puked up?

I mean, in a perfect world and in a great movie — like this short — it can be both.

Director and writer Alix Austin has done just about every job you can in film — acting, directing, producing, on the crew, second unit, casting, editing, writing and more — and if this film is any indication, we’ll soon be seeing a lot more of her talented work.

The GenreBlast Film Festival is entering its sixth year of genre film goodness. A one-of-a-kind film experience created for both filmmakers and film lovers to celebrate genre filmmaking in an approachable environment, it has been described by Movie Maker Magazine as a “summer camp for filmmakers.”

Over the next few days, I’ll be reviewing several movies from this fest, based in the Alamo Drafthouse Cinema in Winchester, Virginia. This year, there are 14 feature films and 87 short films from all over the world. Weekend passes are only $65 and you can get them right here.

Pretty Pickle (2022): Samuel (Brennan Urbi) is getting closer to his girlfriend Samantha (Whitney Masters). And in between all the great sex — she’s GGG for more than even he may be ready for — he wonders what she’s all about. I mean, we all have our strange little things and part of the new relationship journey is discovering and living with those quirks. So after Samuel hacks her iPhone by getting her Netflix password, he starts looking through her private photos. Mostly, it’s photos of Larry the cat (played by a cat named Captain Pancakes, who has his own IMDB, Facebook and web pages). But then he finds something else.

Director and writer Jim Vendiola has made something strange and wonderful here. This is something I’ve never had happen to me and I thought I had truly seen it all. I guess now I have. Wow — you can still be shocked.