NORTH BEND FILM FEST: Rachels Don’t Run (2021)

While monitoring late-night calls at an AI companionship service, a lonely customer support agent named Leah (Sera Barbieri, Potato Dreams of America) acts as one of the artificial dream girls — Rachel — to chat with Isaac (Anthony Shipway), a customer that she’s in love with.

As we grow more disconnected and alone in our private bubbles, the idea of callable companionship and GFE (Girl Friend Experience) doesn’t seem so alien any longer. It’s to the credit of the direction by Joanny Causse (who co-wrote the script with Steph Kwiatkowski) that this seems so daring and original, as well as the great acting by Barbieri.

This movie totally deserves the awards that it’s been earning, such as the Grand Jury Award for Best Short Film at the  Seattle International Film Festival 2022 and the Jury Award for Best Screenplay at Fantasia International Film Festival 2021.

I watched this at the North Bend Film Festival, which you can learn more about on their official site. You can also read more about Rachels Don’t Run at its official site.

NORTH BEND FILM FEST: While Mortals Sleep (2022)

Susan’s (Carie Kawa) has had her career as a cold case writer fall apart, so she’s hiding out at a friend’s remote vacation house. When she gets there, she meets Eddy (Will Brill) and Abby (Grace Morrison). He’s digging sludge out of the backyard; she makes a spot of tea a strange and not altogether pleasant affair. They’re the caretakers of the home, or so they say, but then Susan hears a baby cry a room away.

Trust me, that’s no normal baby.

Director and writer Alex Fofonoff may only have two other sorts on his resume, but this tense and well-acted piece points to him as a person of interest. If this was longer — it totally could be — it would be a movie plenty of people were talking about.

I watched this at the North Bend Film Festival, which you can learn more about on their official site. You can also read more about While Mortals Sleep at its official site.

Chattanooga Film Festival: Split Ends (2022)

Isa worries that her abuela is forgetting her thanks to dementia. Meanwhile, on a whim she decides to chop off her hair, which upsets her mother and then worries her — what if this makes her aunt forget her even more? All of the grief and worry powers her hair as it crawls back from the dead and up the drain pipes, confronting her with her impulsive decision.

Split Ends is more than just horror. According to the filmmakers, it’s “a commentary on Latina beauty standards — especially ones that concern women’s hair and are perpetuated by mothers.”

Director and writer Cookie Estés said of making this film, “I’ve leaned very heavily on the making of this film for the last few years, in all of the varying shapes and forms it’s taken on, as a way of processing the anticipatory grief of losing my abuelita who raised me. She passed away peacefully in April of 2021 and this film is dedicated to her.”

I love when horror can help us process emotions that aren’t always easy to articulate. What an interesting film and a cultural experience that I would be ignorant of without getting to watch movies.

Chattanooga Film Festival: Why Is It So Warm on Christmas? (2022)

A movie star named Eugene gains superpowers and sets out to become a superhero. He may not have a tragic origin or a team to help him, so he has to reach out to others online to learn how to best use his powers. This allows everyone he meets to form a community that helps one another instead of just beating up super villains.

Choi Woo Gene’s film presents a more grounded and humanistic take on superheroes. At 27 minutes, it’s not far from being able to be expanded into a much larger story.

Chattanooga Film Festival: Cycles (2022)

Jake (Jake Cash) is a young man in his mid-twenties dealing with multiple traumatic events all at the same time. Meanwhile, as he navigates these experiences, something has taken root inside of his mind and is growing into something that he may not be able to control.

Cycles is body horror as way of dealing with emotional trauma and would really work well as a full length film. Director and writer Jakey Lutsko has created something really intriguing here and I hope to see it expanded at some point.

Chattanooga Film Festival: Nahrani (2021)

In Afghanistan, development aid worker Carina Nowak and a squadron of Bundeswehr — German army soldiers — walk into a trap set by the Taliban. Only she and young soldier Luca survive and they both have to fight to reach their own goals.

Nahrani is a short film produced by students of HFF Munich and the final project of director Simon Pfister. It was shot t in Andalusia with a crew of 35 people from Germany and Spain, with six of those days in a set built for the film Exodus and later reused for Game of Thrones.

It looks gorgeous and way better than you’d ever expect a student film to look whole presenting a story of different goals in the face of the chaos of war.

To learn more, visit the official site.

Chattanooga Film Festival: The Rotting of Casey Culpepper (2022)

Daniel Slottje directed, wrote and co-stars — as the father — in this film about a young girl (Lilliana Ketchman) battling leukemia and being haunted by a sinister being she calls The Tumor Man (Kelsey Strauch).

You must decide if this monster is real or a metaphor for the pain that Casey, the little girl, is enduring. Slottje — who had a hormone-based disease in his childhood — is now developing the story into a feature film. I can’t wait to see it.

 

Chattanooga Film Festival: Underdogs (2021)

At the California Men’s Colony in Central California, dogs and their inmate handlers — who are preparing them to become fully operational service animals — share a special bond that helps both.

Director and writer Alex Astrella also made Trial By Fire, a documentary about inmate firefighters. As a dog owner, this movie spoke to me and shows how we are saved by animals instead of us saving them.