Editor’s note: Cinematic Void will be playing this movie tonight on Friday, January 18 at 8:00 PM at The Frida Cinema in Santa Ana, CA. It’s free and you can read about the film here. For more information, visit Cinematic Void.
A Hyena In the Safe might have the best-looking fashions I’ve ever seen in a giallo. Oh man, glitter eyeshadow, furs, striped suits, insane patterns — I’m in love.
Four thieves — Klaus from Germany, Albert (Sandro Pizzochero, So Sweet, So Dead) from France, Juan from Spain and Carina from Tangiers — have met up in what they think is an isolated castle to split up some diamonds. That said, their dead boss’s wife, Anna, is throwing a party. Complicating matters further, all five keys must be used at the same time to open the vault, so everyone has to keep getting along, even when Albert’s new girlfriend, Jeanine, annoys everyone. And when people start getting killed, how will anyone get their reward?
Cesare Canevari is probably better known for his scummy side, with movies like A Man for Emmanuelle, Killing of the Flesh and The Gestapo’s Last Orgy on his resume.
I kind of love these pre-Argento gialli that haven’t started aping his style and instead are all over the place in their influences. This is the type of movie I wish had shown up in Vinegar Syndrome’s last Forgotten Gialli set, because I want more people to see it. It’s got the brightest colors, the furriest upholstery, the most theatrical makeup and a soundtrack that swings. It is, well, everything.