For the Plasma (2014)

Directed by Bingham Bryant and Kyle Molzan, this has a wild concept: Helen (Rosalie Lowe) has been hired to sit in a home and watch CCTV footage of the forest of Maine to ensure that no fires happen. Yet, she can tell when economic shifts will occur when she shifts her focus. She brings in her friend Charlie (Annabelle Lemieux) to reconnect. Still, they have issues when Charlie wonders why so many of the monetary elite keep calling and visiting and demanding that Helen explain to them what the stock market’s future will bring.

Why are there frames in the forest? What’s the deal with the lighthouse keeper Herbert (Tom Lloyd)? Is it way too arty by having so much of Kobo Abe’s The Ark Sakura in it? Is there a ghost in the house? Is one of the girls dating the ex-boyfriend of the other? How about that soundtrack by Keiichi Suzuki?

This is either something you will hate with all of your heart or love in equal opposition. It’s a slow-moving, shot-in Super 16mm movie that has me obsessed. I know exactly who would love this, and I’ll tell them about it, and who will hate it, so I’ll make sure to not inform them. As for me, I’ll probably end up watching it at least two more times. What a strange concept and an even odder way of bringing it to life. There’s a review on IMDB that says, “This is terrible, you should watch it!” I wouldn’t go that far, but you should challenge yourself with it.

You can buy this from Vinegar Syndrome and watch it on Tubi.